King of Wrath

Ana Huang

Paperback • 416 Pages • USD 17.99 • English • 9781728289724
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Publisher Bloom Books
ISBN13 9781728289724
ASIN/SKU 1728289726
Book Format Paperback
Language English
Pages 416
List Price USD 17.99
Series Title Kings of Sin
Publishing Date 25/04/2023
Dimensions 5.5 x 1.04 x 8.5 inches
Weight 2.31 pounds
Book Code BD00055918

Discover King of Wrath by Ana Huang. This book is published by Bloom Books in Paperback format, ISBN 9781728289724, ASIN 1728289726, under Romance, Billionaires and Millionaires Romance, Multicultural and Interracial Romance.

Book Description

*A NEW YORK TIMES BESTSELLER*

An arranged marriage billionaire romance standalone from New York Times bestselling author and BookTok sensation Ana Huang.

She was my North Star, the brightest jewel in my sky.

Ruthless. Meticulous. Arrogant.

Billionaire CEO Dante Russo thrives on control, both personally and professionally.

He never planned to marry…until the threat of blackmail forces him into an engagement with a woman he barely knows.

Vivian Lau, jewelry heiress and daughter of his newest enemy. The wife he never wanted, and the weakness he never saw coming.

It doesn't matter how beautiful or charming she is. Dante will do everything in his power to destroy the blackmail and their betrothal.

There's only one problem: now that he has her, he can't bring himself to let her go.

***

Elegant. Ambitious. Well-mannered.

Vivian Lau is the perfect daughter and her family's ticket into the highest echelons of society.

Marrying a blue-blooded Russo means opening doors that would otherwise remain closed to her new-money parents.

While the rude, elusive Dante isn't her idea of a dream partner, she agrees to their arranged marriage out of duty.

Craving his touch was never part of the plan.

Neither was the worst possible outcome: falling in love with her future husband.

Author Biography

Ana Huang is a #1 New York Times, #1 USA Today, and #1 Sunday Times bestselling author. Best known for her Twisted series, she writes New Adult and contemporary romance with deliciously alpha heroes, strong heroines, and plenty of steam, angst, and swoon sprinkled in.

Her books have been translated in over thirty languages and featured in outlets such as Good Morning America, NPR, Cosmopolitan, and PEOPLE.

A self-professed travel enthusiast, she loves incorporating beautiful destinations into her stories and will never say no to a good chai latte.

GODS OF THE GAME:

The Striker

The Defender (coming October 28, 2025)

KINGS OF SIN:

King of Wrath

King of Pride

King of Greed

King of Sloth

King of Envy

King of Gluttony (Coming April 28, 2026)

TWISTED:

Twisted Love

Twisted Games

Twisted Hate

Twisted Lies

IF LOVE:

If We Ever Meet Again (Duet #1)

If the Sun Never Sets (Duet #2)

If Love Had a Price #3 (Standalone)

If We Were Perfect #4 (Standalone)

Editorial Reviews

Editorial Reviews will be added soon…

Book Summary

Ana Huang’s King of Wrath is a contemporary billionaire romance built around an arranged marriage, emotional conflict, and the gradual softening of two people who begin their relationship under pressure rather than choice. It is the first book in the Kings of Sin series and follows Dante Russo and Vivian Lau, two people from wealthy, powerful families whose lives become tightly bound when a blackmail scheme forces them into an engagement neither of them truly wants. At first, the novel seems to promise a cold, strategic romance filled with pride, status, and resistance, but as the story develops, it becomes more about vulnerability, trust, and the difference between performing love and truly feeling it.

Dante Russo is introduced as a man who values control above almost everything else. He is a billionaire CEO, highly disciplined, intimidating, and emotionally closed off. He likes order, precision, and predictability, and he has built a life in which weakness has little room to exist. Marriage has never been part of his plan because he dislikes the idea of surrendering autonomy or letting anyone close enough to disrupt his carefully managed world. Vivian Lau, on the other hand, is elegant, intelligent, and socially polished, but beneath her graceful exterior she is carrying her own frustrations. She is the daughter of a powerful and ambitious family, and much of her life has been shaped by expectations, image, and the constant pressure to be exactly what others need her to be. Although she appears composed and obedient, she is far more perceptive and emotionally aware than many people around her realize.

The central conflict begins when Vivian’s father uses compromising information to force Dante into an engagement with Vivian. This setup immediately creates tension because neither Dante nor Vivian is entering the arrangement freely. Dante is furious at being manipulated and sees the engagement as an invasion of his freedom. Vivian, meanwhile, is humiliated by the nature of the arrangement, even though she has long understood that in her family, personal desire often comes second to strategy and status. Their engagement is built not on affection but on pressure, resentment, and obligation. This gives the novel a sharp emotional edge from the start, because both characters are trapped in a situation that touches their deepest vulnerabilities. Dante hates losing control, and Vivian hates being treated like a bargaining piece.

As they begin spending more time together, however, the novel slowly peels back their assumptions about each other. Dante initially sees Vivian as part of the problem, someone tied to the family that manipulated him, but he gradually realizes that she is not the architect of his situation and that she herself has very little freedom within her world. Vivian, meanwhile, sees past Dante’s coldness and recognizes that his distance is not simply arrogance, but also a form of self-protection. This shift in perception is one of the novel’s strengths. Instead of changing all at once, their feelings evolve through moments of observation, quiet support, and growing emotional awareness. Attraction is present early, but real intimacy takes longer to build because both of them are used to hiding what they truly feel.

Vivian’s character is especially important in balancing the romance. While Dante fits the familiar mold of the powerful, emotionally unavailable hero, Vivian gives the story heart and restraint. She is not loud or reckless, but she is not weak either. She has spent much of her life learning how to navigate elite social circles, smooth over conflict, and meet impossible expectations, yet beneath that polished image is a woman who wants to be chosen for herself rather than used for appearances or alliances. As the novel develops, her inner strength becomes clearer. She does not always fight in obvious ways, but she carries dignity, patience, and self-respect that eventually force Dante to confront his own behavior and emotional limitations.

A major theme in King of Wrath is the tension between duty and desire. Both Dante and Vivian live in worlds where appearances matter, family influence is enormous, and private feelings are often sacrificed for public advantage. Their engagement begins as a performance meant to satisfy external demands, but over time the line between performance and reality begins to blur. Ana Huang uses this setup to explore how real love can emerge in spaces originally defined by control and calculation. The emotional payoff comes from watching the characters move from obligation to genuine care. As they begin to understand each other, their relationship becomes less about what they owe their families and more about what they might choose for themselves.

The romance also relies heavily on emotional contrast. Dante is rigid, severe, and uncomfortable with vulnerability, while Vivian is socially graceful, emotionally intelligent, and more in touch with the subtleties of connection. This dynamic creates chemistry because each of them exposes something lacking in the other’s life. Vivian brings warmth, softness, and human complexity into Dante’s ordered world. Dante, in turn, offers protection, intensity, and a kind of focused devotion once he begins to let his guard down. The transformation of his feelings is central to the story. He starts from resentment and detachment, but as he falls for Vivian, his possessiveness and emotional investment deepen. The novel draws much of its appeal from this shift, showing the powerful man who believed he needed no one becoming undone by love.

There is also a strong emphasis on family pressure and generational expectation. Vivian’s relationship with her family, especially her father, reflects the painful cost of living as a symbol of status rather than as a fully autonomous person. She is loved in some ways, but that love is tied to usefulness, obedience, and image. This emotional dynamic gives the story more weight than a simple luxury romance might otherwise have. It helps explain why Vivian responds to affection and respect with such intensity. For her, being truly seen matters deeply because so much of her life has involved being managed. Dante’s own relationship to power and control also suggests a history of emotional restraint and learned distance, even when the novel does not dwell as heavily on his background in every moment.

As the story progresses, the growing bond between Dante and Vivian is tested by pride, miscommunication, and the lingering damage caused by the way their relationship began. Because the foundation of their engagement was coercion, trust does not come easily. Both characters have to decide whether they are willing to risk honesty in a relationship that was never supposed to be about truth. The emotional tension comes from that uncertainty. They may want each other, but wanting someone is not the same as being able to trust them with your heart. Ana Huang builds the romance through this push and pull, using both emotional vulnerability and physical attraction to deepen the connection.

By the time the novel reaches its resolution, the arranged engagement has transformed into something real, but not without forcing both characters to change. Dante must confront the limits of control and admit that love requires openness, not just possession or protection. Vivian must decide what kind of life and partnership she is willing to accept and whether being chosen now can heal the ways she was once used. The ending is satisfying because it gives emotional significance to their growth rather than simply rewarding attraction.

Overall, King of Wrath is a polished, emotionally driven romance about two people caught between family obligation and personal desire. It combines luxury, power, tension, and tenderness in a story that centers on learning to trust love even when the relationship begins under the worst possible conditions. Ana Huang delivers a romance that is dramatic and glamorous, but also rooted in the emotional need to be valued freely and fully. Beneath the wealth and status, the novel is really about two guarded people discovering that love becomes meaningful only when it is chosen, not forced.

Sample Chapters

Sample Chapters will be added soon…
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