Building 903

In the tradition of her bestselling, award-winning phenomenon, The Giver, Lois Lowry delivers a story about censorship, comfort, complicity, and the radical power of books to open portals and unlock our humanity through our most powerful tool: the imagination.

Twins Tessa and Theo live in a world ruled by a tyrannical leader, where there are no dangers or rebels... or so they've been told. In this world, citizens live long lives, and while many hate their leader, they are comfortable and safe. So, when Tessa's brother disappears, nobody wants to discuss it. But then Miriam, their 135-year-old neighbor bound for the retirement community, slips Tessa a key—not only to her brother's disappearance, but to the source of all real magic . . . books. As Tessa and her parents begin their search for Theo, Tessa learns that books not only tell us stories—they open portals and unlock our humanity through our most powerful tool: the imagination. Once that truth has been revealed, Tessa won't be able to rest until she has retrieved her twin and society itself has been transformed.

Two-time Newbery-winner Lois Lowry has crafted a narrative that feels at once prescient and eternal: in this world, the imagination is the revolution. Not only does Building 903 sit in the same resonant space as The Giver Quartet, but it is also a profound addition to Lois's enduring body of work—and a testament to the strength and value of her voice, vision, and legacy.

Lois Lowry is known for her versatility and invention as a writer. She was born in Hawaii and grew up in New York, Pennsylvania, and Japan. After studying at Brown University, she married, started a family, and turned her attention to writing. She is the author of more than forty books for young adults, including the popular Anastasia Krupnik series. She has received countless honors, among them the Boston Globe-Horn Book Award, the Dorothy Canfield Fisher Award, the California Young Reader's Medal, and the Mark Twain Award. She received Newbery Medals for two of her novels, NUMBER THE STARS and THE GIVER. Her first novel, A SUMMER TO DIE, was awarded the International Reading Association's Children's Book Award. Several books have been adapted to film and stage, and THE GIVER has become an opera. Her newest book, ON THE HORIZON, is a collection of memories and images from Pearl Harbor, Hiroshima, and post-war Japan. A mother and grandmother, Ms. Lowry divides her time between Maine and Florida. To learn more about Lois Lowry, see her website at www.loislowry.com

author interview

A CONVERSATION WITH LOIS LOWRY ABOUT THE GIVER

Q. When did you know you wanted to become a writer?

A. I cannot remember ever not wanting to be a writer.

Q. What inspired you to write The Giver?

A. Kids always ask what inspired me to write a particular book or how did I get an idea for a particular book, and often it’s very easy to answer that because books like the Anastasia books come from a specific thing; some little event triggers an idea. And some, like Number the Stars, rely on real history. But a book like The Giver is a much more complicated book, and therefore it comes from much more complicated places—and many of them are probably things that I don’t even recognize myself anymore, if I ever did. So it’s not an easy question to answer.

I will say that the whole concept of memory is one that interests me a great deal. I’m not sure why that is, but I’ve always been fascinated by the thought of what memory is and what it does and how it works and what we learn from it. And so I think probably that interest of my own and that particular subject was the origin, one of many, of The Giver.

Q. How did you decide what Jonas should take on his journey?

A. Why does Jonas take what he does on his journey? He doesn’t have much time when he sets out. He originally plans to make the trip farther along in time, and he plans to prepare for it better. But then, because of circumstances, he has to set out in a very hasty fashion. So what he chooses is out of necessity. He takes food because he needs to survive. He takes the bicycle because he needs to hurry and the bike is faster than legs. And he takes the baby because he is going out to create a future. Babies—and children—always represent the future. Jonas takes the baby, Gabriel, because he loves him and wants to save him, but he takes the baby also in order to begin again with a new life.

Q. When you wrote the ending, were you afraid some readers would want more details or did you want to leave the ending open to individual interpretation?

A. Many kids want a more specific ending to The Giver. Some write, or ask me when they see me, to spell it out exactly. And I don’t do that. And the reason is because The Giver is many things to many different people. People bring to it their own complicated beliefs and hopes and dreams and fears and all of that. So I don’t want to put my own feelings into it, my own beliefs, and ruin that for people who create their own endings in their minds.

Arresting . . . a haunting cautionary tale. - Publisher’s Weekly, starred review

An insightful, thought-provoking story . . . In a time of book bans, this ode to the transcendent power of stories will buoy readers and prompt discussions. - Booklist

[Lowry] shines in her creation of uncomfortably believable dystopian societies. - Kirkus