26 Beauties: A Women's Murder Club Thriller
Hardcover
• 352 Pages
• USD 32.00
• English
• 9780316569804
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| Publisher | Little, Brown and Company |
|---|---|
| ISBN13 | 9780316569804 |
| ASIN/SKU | 0316569801 |
| Book Format | Hardcover |
| Language | English |
| Pages | 352 |
| List Price | USD 32.00 |
| Publishing Date | 04/05/2026 |
| Dimensions | 6.4 x 1.19 x 9.55 inches |
| Weight | 1.2 pounds |
| Book Code | BD00054699 |
Discover 26 Beauties: A Women's Murder Club Thriller by James Patterson. This book is published by Little, Brown and Company in Hardcover format, ISBN 9780316569804, ASIN 0316569801, under Mystery, Thriller and Suspense, Fiction, Crime.
Book Description
Instant New York Times Bestseller!
From the world's #1 bestselling author, the Women’s Murder Club goes searching for 26 Beauties―young women missing in San Francisco.
SFPD’s Sergeant Lindsay Boxer's best friend, Claire Washburn, is named medical examiner of the year. But an uninvited guest crashes the Women’s Murder Club's party: a concerned father seeking investigative reporter Cindy Thomas’s help in locating his missing daughter. And she’s not the only one. Lindsay’s been investigating the deaths of a Jane Doe washed up on a nearby beach, and a young woman found in Golden Gate Park.
What if all these cases are connected?
The answers lie with the 26 Beauties on the run and in the wind.
From the world's #1 bestselling author, the Women’s Murder Club goes searching for 26 Beauties―young women missing in San Francisco.
SFPD’s Sergeant Lindsay Boxer's best friend, Claire Washburn, is named medical examiner of the year. But an uninvited guest crashes the Women’s Murder Club's party: a concerned father seeking investigative reporter Cindy Thomas’s help in locating his missing daughter. And she’s not the only one. Lindsay’s been investigating the deaths of a Jane Doe washed up on a nearby beach, and a young woman found in Golden Gate Park.
What if all these cases are connected?
The answers lie with the 26 Beauties on the run and in the wind.
Author Biography
James Patterson is the most popular storyteller of our time and the creator of such unforgettable characters and series as Alex Cross, the Women’s Murder Club, Jane Smith, and Maximum Ride. He has coauthored #1 bestselling novels with Bill Clinton, Dolly Parton, and Michael Crichton, as well as collaborated on #1 bestselling nonfiction, including ‘The Idaho Four,’ ‘Walk in My Combat Boots,’ and ‘Filthy Rich.’ Patterson has told the story of his own life in the #1 bestselling autobiography ‘James Patterson by James Patterson.’ He is the recipient of an Edgar Award, ten Emmy Awards, the Literarian Award from the National Book Foundation, and the National Humanities Medal.
Editorial Reviews
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Book Summary
“26 Beauties” is a fast-paced Women’s Murder Club thriller about a disturbing wave of missing young women in San Francisco, and the way one case quickly grows into something much bigger and darker. The story begins with a rare moment of celebration for the group, as Claire Washburn is honored for her work, but the mood changes when a desperate father arrives and asks reporter Cindy Thomas for help finding his missing daughter. At the same time, Sergeant Lindsay Boxer is already investigating the deaths of a young woman found on a beach and another discovered in Golden Gate Park, and the possibility that these cases are connected becomes impossible to ignore.
The novel follows Lindsay, Cindy, Claire, and Yuki as they work together in their usual split between police work, journalism, medicine, and law. The missing women appear to share one striking trait: they are all beautiful, young, and vulnerable, and the pattern suggests they may be targets of a trafficking network rather than random victims. Lindsay starts seeing links between the deaths, the disappearances, and the way the women are approached by men offering jobs, opportunities, or easy money. What begins as a series of isolated tragedies soon looks like a carefully organized system built to prey on women who have limited protection and few people looking for them.
As the investigation deepens, the Women’s Murder Club faces the usual pressure of time, danger, and emotional strain. Lindsay is pulled between crime scenes, missing-person reports, and the growing suspicion that many of the women may already be dead. Claire’s forensic work becomes essential in showing how the victims were attacked and whether they are linked by the same methods. Cindy’s role as a reporter helps bring in outside information, including the concerns of families who fear their daughters have been taken. Yuki, meanwhile, handles the legal side and helps the group understand how difficult it may be to prove trafficking or hold the right people accountable. The novel uses their teamwork to show how solving a case like this requires more than one kind of intelligence.
One of the strongest parts of the story is the sense that the women are racing against a hidden, organized criminal network rather than a single killer. The book suggests that the victims are being moved, used, and concealed in ways that make them hard to track, and Interpol becomes involved because the operation may extend beyond San Francisco. That international dimension raises the stakes and makes the case feel larger and more urgent. The warning from Interpol is grim: cases like this are extremely hard to solve, and the missing women are rarely found alive.
At the same time, the novel keeps its personal emotional core. The father searching for his daughter gives the story a human face, and the Women’s Murder Club are not just chasing clues but trying to keep faith when the odds are stacked against them. Their friendship remains one of the series’ defining strengths, because the book balances violence and suspense with loyalty, humor, and shared purpose. Even when the investigation becomes more dangerous, the group’s bond gives the story stability and heart.
By the end, “26 Beauties” is less about a single murder than about the damage caused when women become commodities and when predators hide behind charm, promises, and mobility. The novel turns a familiar thriller structure into a story about exploitation, fear, and the desperation of families who have nowhere else to turn. It is a tense, emotional, and highly procedural entry in the series, driven by the Women’s Murder Club’s determination to find the missing women before more lives are lost.
The novel follows Lindsay, Cindy, Claire, and Yuki as they work together in their usual split between police work, journalism, medicine, and law. The missing women appear to share one striking trait: they are all beautiful, young, and vulnerable, and the pattern suggests they may be targets of a trafficking network rather than random victims. Lindsay starts seeing links between the deaths, the disappearances, and the way the women are approached by men offering jobs, opportunities, or easy money. What begins as a series of isolated tragedies soon looks like a carefully organized system built to prey on women who have limited protection and few people looking for them.
As the investigation deepens, the Women’s Murder Club faces the usual pressure of time, danger, and emotional strain. Lindsay is pulled between crime scenes, missing-person reports, and the growing suspicion that many of the women may already be dead. Claire’s forensic work becomes essential in showing how the victims were attacked and whether they are linked by the same methods. Cindy’s role as a reporter helps bring in outside information, including the concerns of families who fear their daughters have been taken. Yuki, meanwhile, handles the legal side and helps the group understand how difficult it may be to prove trafficking or hold the right people accountable. The novel uses their teamwork to show how solving a case like this requires more than one kind of intelligence.
One of the strongest parts of the story is the sense that the women are racing against a hidden, organized criminal network rather than a single killer. The book suggests that the victims are being moved, used, and concealed in ways that make them hard to track, and Interpol becomes involved because the operation may extend beyond San Francisco. That international dimension raises the stakes and makes the case feel larger and more urgent. The warning from Interpol is grim: cases like this are extremely hard to solve, and the missing women are rarely found alive.
At the same time, the novel keeps its personal emotional core. The father searching for his daughter gives the story a human face, and the Women’s Murder Club are not just chasing clues but trying to keep faith when the odds are stacked against them. Their friendship remains one of the series’ defining strengths, because the book balances violence and suspense with loyalty, humor, and shared purpose. Even when the investigation becomes more dangerous, the group’s bond gives the story stability and heart.
By the end, “26 Beauties” is less about a single murder than about the damage caused when women become commodities and when predators hide behind charm, promises, and mobility. The novel turns a familiar thriller structure into a story about exploitation, fear, and the desperation of families who have nowhere else to turn. It is a tense, emotional, and highly procedural entry in the series, driven by the Women’s Murder Club’s determination to find the missing women before more lives are lost.
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